"Jean-Luc Godard." Cinéma Cinémas. Paris: Ministere Des Affaires Etrangéres
D.G.R.C.S.T.- Direction de l'Action Audiovisuelle Extérieure.
CEDFI/MAE, 1984-1989. Ed. Claude Ventura.
Albera, Francois. "Matter and Memory." Scope Magazine.One (1992): 17-19.
Althusser, Louis. For Marx. 1965. Trans. Ben Brewster. London and New York: Verso, 1996.
Arnheim, Rudolf. Film as Art. 1958. London: Faber and Faber, 1969.
Barry, Shane. "Fin De Godard?" Film Ireland.41 (1994): 22-23.
Barthes, Roland. Image, Music, Text. Trans. Stephen Heath. Flamingo ed. Oxford: Fontana Paperbacks, 1984.
---. Writing Degree Zero. Le Degré Zéro de L'Ecriture (1953). Trans. Jonathan Cape Ltd. 1967. New York: Hill and Wang, 1999.
Bates, Robin. "Holes in the Sausage of History: May '68 as Absent Center in Three European Films." Cinema Journal 24.3 (1985): 24-41.
Benjamin, Walter. Illuminations. Schriften, 1955 (German). Trans. Harry Zorn. London: Pimlico, 1999. English Translation 1968.
Bennett, Tony. Formalism and Marxism. New Accents. Ed. Terence Hawkes. London and New York: Methuen & Co Ltd, 1979.
Bordwell, David. Narration in the Fiction Film. Madison: The University of Wisconsin Press, 1985.
Brewster, Ben. "Documents from Novy Lef." Screen 12.4 (1971): 59-100.
Brown, Royal S. Focus on Godard. Film Focus. Ed. Ronald Gottesman and Harry M. Geduld. Englewood Cliffs, N.J.: Prentice-Hall Inc, 1972.
---. "Introduction: One Plus One Equals." Focus on Godard. Ed. Royal S. Brown. Englewood Cliffs, N.J.: Prentice-Hall, Inc., 1972. 5-19.
---. "Jean-Luc Godard: Nihilism Versus Aesthetic Distantiation." Focus on Godard. Ed. Royal S. Brown. Film Focus. Englewood Cliffs, N.J.: Prentice-Hall Inc, 1972. 109-22.
Carroll, Kent E. "Film and Revolution: Interview with the Dziga-Vertov Group." Focus on Godard. Evergreen Review 14, no. 83 (October 1970). Ed. Royal S. Brown. Englewood Cliffs, N.J.: Prentice-Hall Inc, 1970. 50-64.
Clair, René. Reflections on the Cinema. Trans. Vera Traill. First ed. London: William Kimber And Co., Limited, 1953.
Cleaver, Eldridge. Soul on Ice. 1968. Laurel, June 1978 ed. New York: Dell Publishing Co., Inc., 1978.
Clouzot, Claire. "Godard and the US." Sight and Sound 37.3 (1968): 110-14.
CNN.com, Associated Press/. Vodka Ad Featuring Famed Photo of 'Che' Guevara Sparks Furor. August 9, 2000. 2000. Website. CNN. Available:

http://www.cnn.com/2000/WORLD/americas/08/09/cuba.cheguevara.ap/index.html October 7 2000.
Cohn-Bendit, Daniel. Obsolete Communism: The Left-Wing Alternative. Trans. Arnold Pomerans. London: André Deutsch, 1968.
Dawson, Claire Johnston and Jan. "Declarations of Independence." Sight and Sound 39.1 (1969): 28-30.
Debord, Guy. Comments on the Society of the Spectacle. Trans. Malcolm Inrie. London and New York: Verso, 1998.
---. The Society of the Spectacle. 1967. Trans. Donald Nicholson-Smith. Fourth Printing ed. New York: Zone Books, 1998.
Debray, Regis. Charles De Gaulle: Futurist of the Nation. Trans. John Howe. London: Verso, 1994.
Dermody, Susan. "Jean-Marie Straub and Danielle Huillet: The Politics of Film Practice." Cinema Papers 3.10 (1976): 126-30/84-85.
Dixon, Wheeler Winston. The Films of Jean-Luc Godard. The Suny Series: Cultural Studies in Cinema/Video. Ed. Wheeler Winston Dixon. Albany: State University of New York Press, Albany, 1997.
Fischer, Craig. "Films Lost in the Cosmos: Godard and New York Distribution and Exhibition (1961-1973)." Spectator 18.2 (1998): 47-66.
Forbes, Jill. "The Rise of Audio-Visual Culture." French Cultural Studies: An Introduction. Ed. Jill Forbes and Michael Kelly. Oxford: Oxford University Press, 1995. 232-45.
Forbes, Michael Kelly with Tony Jones and Jill. "Modernization and Popular Culture." French Cultural Studies: An Introduction. Ed. Jill Forbes and Michael Kelly. Oxford: Oxford University Press, 1995. 140-52.
Garnham, Nicholas. Samuel Fuller. Cinema One. New York: Secker & Warburg, 1971.
Getino, Fernando Solanas and Octavio. "Towards a Third Cinema." Movies and Methods: Volume One. Afterimage, no. 3 (1971). Ed. Bill Nichols. Vol. One. Berkeley, Los Angeles and London: University of California Press, 1976. 44-64.
Gilliatt, Penelope. "The Urgent Whisper." Jean-Luc Godard: Interviews. The New Yorker 25 October 1976: 47-58. Ed. David Sterritt. Conversations with Filmmakers. Jackson: University Press of Mississippi, 1998. 69-84.
Godard, Jean-Luc. "Dictionnaire De 121 Metteurs En Scene." Cahiers du Cinema XXV.December 1963-January 1964 (1963): 40.
---. Le Petit Soldat. Simon and Schuster. Trans. Nicholas Garnham. Classic Film Scripts. London: Lorrimer Publishing Limited, 1967.
---. Masculin Féminin. Trans. Pierre Billard. Ed. Robert Hughes. New York: Grove Press Inc., 1969.
---. Weekend. 1967. Trans. Marianne Sinclair. Classic Film Scripts. Ed. Andrew Sinclair. London: Lorrimer Publishing Limited, 1984.
---. "One Should Put Everything into a Film." Trans. Tom Milne. Godard on Godard. Ed. Jean Narboni and Tom Milne. New York: Da Capo Press, 1986. 238-39.
---. Godard on Godard. 1968. Trans. Tom Milne. Ed. Jean Narboni and Tom Milne. New York: Da Capo Press, 1986. 1972.
---. "Towards a Political Cinema." Trans. Tom Milne. Godard on Godard. Gazette du Cinema, 3 September, 1950. Ed. Jean Narboni and Tom Milne. New York: Da Capo Press, 1986. 16-17.
Gramsci, Antonio. Selections from the Prison Notebooks. 1971. Trans. Quintin Hoare and Geoffrey Nowell-Smith. New York: International Books, 1997.
Harder, Michael. Michael Harder Photography - Cuba - Alberto "Korda" Gutierrez. 1993. Website. Michael Harder. Available: http://www.pix.dk/korda2.htm 7 October 2000.
Hartog, Simon. "The Estates General of the French Cinema, May 1968." Screen 13.4 (1972): 58-88.
Harvey, Sylvia. May '68 and Film Culture. London: British Film Institute, 1978.
Henahan, Donal. "Boos Greet Film by Godard Here." New York Times December 30 1968.
Houston, Penelope. "Cannes 68." Sight and Sound 37.3 (1968): 115-17.
Hunter-Gault, Charlayne. Second Look: Origins of a Crisis. 17 February 1997. Television Transcript. PBS.org: Online Backgrounders. Available: http://www.pbs.org/newshour/bb/africa/february97/crisis_2-17.html 7 October 2000.
International, Situationist. Cinema and Revolution. 1969. Web Site. Translated by Ken Knabb. Available: http://www.slip.net/~knabb/SI/12.cinema.htm 7 October 2000.
J. Bontemps, Jean-Louis Comolli, Michel Delahaye, and Jean Narboni. "Struggle on Two Fronts: A Conversation with Jean-Luc Godard." Film Quarterly 22.2 (1968): 32.
Jacob, Gilles. "The 400 Blows of Francois Truffaut." Sight and Sound 37.4 (1968): 190-91.
Kawin, Bruce F. Mindscreen: Bergman, Godard, and First-Person Film. Princeton, New Jersey (USA) and Guildford, Surrey (UK): Princeton University Press, 1978.
Kelly, Jill Forbes and Michael. French Cultural Studies: An Introduction. Oxford: Oxford University Press, 1995.
Klein, William. "Grands Soirs Et Petits Matins: Mai 68 Au Quartier Latin.". Ed. William Klein. Paris: La Sept/Video, 1978. Ed. Films Paris New York.
Kolker, Robert Phillip. "Angle and Reality: Godard and Gorin in America." Jean-Luc Godard: Interviews. Sight and Sound vol. 42, no. 3 (1973): 130-133. Ed. David Sterritt. Jackson: University Press of Mississippi, 1998. 59-68.
Langlois, Glenn Myrent and Georges P. Henri Langlois: First Citizen of Cinema. Trans. Lisa Nesselson. New York: Twayne Publishing, 1995.
Lefebvre, Henri. Critique of Everyday Life. 1947. Trans. John Moore. Vol. Volume One. London and New York: Verso, 1996. 1991.
Lesage, Julia. "Visual Stancing in Godard." Wide Angle 1.3 (1976): 4-13.
---. Jean-Luc Godard: A Guide to References and Resources. Ed. Ronald Gottesman. Boston, Massachusetts: G.K. Hall & Co., 1979.
Levaco, Ronald. "Kuleshov and Semiology: Selections from Lev Kuleshov's Art of the Cinema." Screen 12.4 (1971): 103-21.
Loshitzky, Yosefa. The Radical Faces of Godard and Bertolucci. Contemporary Film and Television Series: Wayne State University Press, Detroit, 1995.
MacBean, James Roy. "Vent D'est or Godard and Rocha at the Crossroads." Sight and Sound 40.3 (1971): 144-50.
---. "Godard and the Dziga Vertov Group: Film and Dialectics." Film Quarterly 26.1 (1972): 30-44.
MacCabe, Colin, Mick Eaton and Laura Mulvey. Godard: Images, Sounds, Politics. Bloomington: Indiana University Press, 1980.
Mamber, Stephen. "Cinema-Verite in America: Part 1." Screen 13.1 (1972): 79-107.
---. "Cinema-Verite in America
Part 2: Direct Cinema and the Crisis Structure." Screen 13.3 (1972): 114-34.
Marwick, Arthur. The Sixties. Oxford and New York: Oxford University Press, 1998.
McLuhan, Marshall. Understanding Media: The Extensions of Man. 1964. Third ed. Cambridge, Massachusetts and London, England: The MIT Press, 1995.
Merrill, Martha. "Black Panthers in the New Wave." Film Culture (U.S.).Spring 1972 (1972): 134-45.
Metz, Christian. Film Language: A Semiotics of the Cinema. Trans. Michael Taylor. New York: Oxford University Press, 1980.
Millar, Gavin. "Ice." Sight and Sound 40.3 (1971): 165.
Miller, Prairie. "Forever Mozart." Downtown Magazine June 29 1994.
Naremore, James. "Authorship and the Cultural Politics of Film Criticism." Film Quarterly 44.1 (1990): 14-22.
Negroponte, Nicholas. Being Digital. New York: Vintage, 1995.
Nichols, Bill. "Documentary Theory and Practice." Screen 17.4 (1976): 34-48.
---. Movies and Methods. Movies and Methods. Ed. Bill Nichols. Vol. One. Berkeley, Los Angeles and London: University of California Press, 1976.
Perlman, R. Gregoire and F. Worker-Student Action Committees: France May '68. 1969. Detroit, Michigan: Black & Red, 1991. 1991.
Phillips, Richard. Pennebaker and Hegedus: Seminal Figures in American Documentary Film. 1998. Website. World Socialist Website. Available: http://www.wsws.org/arts/1998/aug1998/penn-a12.shtml 7 October 2000.
Populaire, Atelier. Paris 1968 - Table of Contents. 19 August 1998 1995. Website. Burn Collective. Available: http://burn.ucsd.edu/paristab.htm 7 October 2000.
Posner, Charles. "Introduction." Reflections on the Revolution in France: 1968. Ed. Charles Posner. Pelican ed. Harmondsworth: Penguin Books Ltd, 1970. 13-54.
Rabin, Nathan. D.A. Pennebaker. 2000. Website. The Onion AV Club. Available: http://avclub.theonion.com/avclub3318/avfeature3318.html 7 October 2000.
Revel, Jean-François. Without Marx or Jesus. Trans. J. F. Bernard. London: Paladin, 1972.
Rodowick, D.N. Gilles Deleuze's Time Machine. Post-Contemporary Interventions. Ed. Stanley Fish and Frederic Jameson. First ed. Durham and London: Duke University Press, 1997.
Rosenbaum, Jonathan. "Tih-Minh, out 1: On the Nonreception of Two French Serials." Movies as Politics. The Velvet Light Trap, vol. 37 (Spring 1996). Berkeley and Los Angeles: University of California Press, 1997. 303-18.
---. "Hollywood Radical (Malcolm X)." Movie as Politics. Chicago Reader, December 11, 1992. Berkeley and Los Angeles: University of California Press, 1997. 145-53.
---. "My Filmgoing in 1968: An Exploration." That Magic Moment: 1968 and the Cinema. Ed. Viennale. Vienna: Viennale, 1998. 144.
Ross, Kristen. Henri Lefebvre on the Situationionist International. 1997. Website. notbored@panix.com. Available: http://www.panix.com/~notbored/lefebvre-interview.html 29 October 2000.
Roszak, Theodore. The Making of a Counter Culture. 1968. London: Faber and Faber Limited, 1972.
Roud, Richard. "In the Picture: One Plus One." Sight and Sound 37.4 (1968): 182-83.
---. Jean-Luc Godard. The Cinema One Series. Vol. 1. London: Indiana University Press, 1970.
---. "Le Gai Savoir." Focus on Godard. Sight and Sound 38, no. 4 (Autumn 1969): 210-11. Ed. Royal S. Brown. Film Focus. Englewood Cliffs, N.J.: Prentice-Hall Inc, 1972. 78-81.
Roud, Richard. "Godard Is Dead, Long Live Godard/Gorin: Tout Va Bien!" Sight and Sound 41.3 (1972): 122-24.
Rousseau, Jean-Jacque. "The Social Contract and Discourses." Trans. G.D.H. Cole. The Social Contract and Discourses. London: J.M. Dent and Sons Ltd, 1947. 3.
---. "The Social Contract." Trans. Maurice Cranston. The Social Contract. 1968. London: Penguin Books, 1977. 49.
Rousseau, Jean-Jacques. Emile. Trans. Barbara Foxley. London: J.M. Dent and Sons Ltd, 1986.
Rubin, Jerry. Do It! Scenarios of the Revolution. London: Social Education Foundation & Jonathan Cape, 1970.
Sarris, Andrew. "Jean-Luc Godard Now." Interview.24.7 (1994): 84-89.
---. "Godard and the Revolution." Jean-Luc Godard: Interviews. Village Voice April 30, 1970: 53, 61, 63-64. Ed. David Sterritt. Jackson: University Press of Mississippi, 1998. 50-58.
Sherwood, Richard. "Documents from Lef." Screen 12.4 (1971): 25-58.
Sontag, Susan. On Photogaphy. London: Penguin Books, 1979.
Stam, Robert. Reflexivity in Film and Literature: From Don Quixote to Jean-Luc Godard. New York: Columbia University Press, 1992.
Sterritt, David. Jean-Luc Godard: Interviews. Conversations with Filmmakers. Ed. Peter Brunette. Jackson: University Press of Mississippi, 1998.
Sussman, Elizabeth. "Dismantling the Spectacle: The Cinema of Guy Debord." On the Passage of a Few People through a Rather Brief Moment in Time: The Situationist International 1957-1972. Ed. Peter Wollen. Boston: Institute of Contemporary Art, 1989. 72-123.
Therborn, Goran. What Does the Ruling Class Do When It Rules?
State Apparatuses and State Power under Feudalism, Capitalism and Socialism. London: NLB, 1978.
Thomsen, Christian Braad. "Skolimowski." Sight and Sound 37.3 (1968): 142-44.
Turim, Maureen. "Jean-Pierre Léaud: Child of the French Cinema." The Velvet Light Trap.7 (1972): 41-48.
Vaneigem, Raoul. The Revolution of Everyday Life. 1967. Trans. Donald Nicholson-Smith. 1994 ed. London: Rebel Press and Left Bank Books, 1994. 1992.
Vertov, Dziga. "Film Directors, a Revolution." Screen 12.4 (1971): 52-58.
Vienet, Rene. Enrages and Situationists in the Occupation Movement, France, May '68. Brooklyn, New York: Autonomedia in association with the Rebel Press, 1992.
Walsh, David. 2000 Toronto International Film Festrival­Part 7:
A Conversation with Film Critic Robin Wood. 16 October. 2000. Web Site. World Socialist Web Site. Available: http://www.wsws.org/articles/2000/oct2000/tff7-o16_prn.shtml 28 October 2000.
Westerbeck, Colin L. (Jr). "A Terrible Duty Is Born." Sight and Sound 40.2 (1971): 80-83.
Williams, Alan. "Godard's Use of Sound." Camera Obscura.Autumn (8-9-10) (1982): 192-209.
Williams, Christopher. "Politics and Production." Screen 12.4 (1971): 6-24.
Witt, Michael. "The Death(s) of Cinema According to Godard." Screen 40.3 (1999): 331-46.
Wollen, Peter. "The Two Avant-Gardes." Edinburgh '76 Magazine.One (1976): 77-86.
Wolman, Guy Debord and Gil. A User's Guide to Detournement. 1956. Website. Ken Knabb. Available: http://www.slip.net/~knabb/SI/detourn.htm 7 October 2000.
Woo, Elaine. Cia's Gottlieb Ran Lsd Mind Control Testing. 10 April 1999 1999. Website. Refuse and Resist! Available: http://mojo.calyx.net/~refuse/resist_this/041099lsdcia.html 7 October 2000.
Youngblood, Gene. "Jean-Luc Godard: No Difference between Life and Cinema." Jean-Luc Godard: Interviews. Los Angeles Free Press, March 8, 1968: 15, 20; March 15, 1968: 5, 25; March 22, 1968: 10-11; March 29, 1968: 24-25, 29. Ed. David Sterritt. Jackson: University Press of Mississippi, 1998. 9-49.
Zelizer, D.A. Pennebaker and Chris Hegedus with Julian. Talking History: The War Room. January 24, 2000 1998. Website Audio Recording. University of Albany-SUNY. Available: http://www.albany.edu/history/specialfeatures.html
http://www.albany.edu/talkinghistory/archive/pennebaker-hegedus.ram. 10 October 2000.

Next: Filmography

Back: Table of Contents