The Depiction
of late
1960's
Counter Culture
in the 1968 Films
of
Jean-Luc Godard
Gary Elshaw
A thesis
submitted in partial fulfilment of the requirements for the degree of MA in
Film,
Faculty
of Humanities and Social Sciences, Victoria University of Wellington, November
2000.
Acknowledgements
There
are an inordinate number of people to thank for this project. My supervisor,
Dr. Russell Campbell for advice, guidance and the patience and fortitude to
put up with my mid-afternoon ramblings. Dr. Harriet Margolis for intellectual
and physical sustenance over the couple of years that this project slowly
percolated on through. Andrew Brettell for keeping my sense of humour intact.
Dr. Lorna McCann for patience, understanding and a sense of humour. Diane
Zwimpfer, I owe you many, many thanks, but especially I thank you for helping
me to keep sane throughout this and being there for me.
My
family, who also contributed in so many ways I can't really begin to explain:
Brad, Lis, Richard, Renée, Tony, Emma, Mike, Alta, Adrian, Shaye, Clare,
Chris, Jon, Rod, Jenny, Mel, Hamish, Steve, Col, Pete, Kay and Muriel, I thank
you for keeping me clothed, fed, housed, supported, and most of all--Loved.
For putting up with the erratic moods, the continual talk about Godard until
you were all bored to death, and the presence of mind to tell me when to shut
up. I'm sure a lot of you still think Godard has a lot to answer for insofar
as my mental health goes!
Thanks
to Apple hardware and the internet, there are a lot of people I've never met,
and yet are all due many thanks for help, source material, support and friendship:
Gloria Monti, Robert Kinsman, D.A. Pennebaker, Jonathan Takagi, Prairie Miller,
Mark Langer, Sean Carley, John Collier, Tom Abrahamsson, Buzz Hausner, Mark
Rabiner, and Jack Hill.